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ICFF 2010

Arriving with rather low expectations due to all the talk of depressed economies cranking out depressing designs, I was happy to find that not everything at this year’s ICFF was a frankenstein of last year’s show. For starters, this piece was all over the fair as well as the off-site shows and is part of the latest collection from furniture company Council, a company out of SF that won me over last year with their stunning Periodic Table. This year’s room divider still maintains the sort of Designer’s D.I.Y. feel that permeated the show.

Big themes were definitely eco-conscious materials and subtle pared down design. Taking material design to the next level was this “wooden fabric” lamp titled Miss Maple, featured in the Design Deutschland exhibit and made by german designer Elisa Strozyk.

Not all young designers are as experimental with traditional materials. For many, the emphasis on environment has led to a reexamination of the less eco-impacting past. Studio Dunn, winner of this year’s Editor’s Choice award for new designer, is going traditional not only with materials and design, but with manufacturing methods as well. All of the designs are manufactured in the good ol’ US of A by artisans in their native state of Rhode Island (this local pride also informs the name of each piece). Studio Dunn’s design sense references the hand-crafted nature of mid-century modern classics like Haywood Wakefield while also tapping into contemporary collective desires to be equal parts environmentally and aesthetically conscious.

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Scattered about and hidden in the nooks of the all the furniture booths were a couple of really exciting product and jewelry finds from some promising up and commers. Starting with the smallest – jewelry from designer Hao Shi was selling at the designboom mart like hot cakes. Shi’s designs consist of tiny, fantastical creatures made from an opaque white resin.

Hao Shi’s booth was too crowded to take photos. Fortunately I just couldn’t leave without my very own Rabbit X Ring pictured here next to the beautiful package it came in. I have since received many compliments from all sorts of crowds including design snobs and random children on subways. It doesn’t get much better than that!

Everyone’s favorite from Brooklyn Designs, FRAMEicariums was also selling at designboom mart. For those who haven’t already seen them, these are real live ant farms in frames! Absolute genius!

And last but not least, for all of you out there with an irrational fear of numbers, Qlocktwo has found a solution- a typographic matrix that spells out the time in a way we can all understand. If only there was a version for my phone, I just might start being on time to things.

Seein’ Dis: BKLYN DESIGNS 2010

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BKLYN DESIGNS 2010

Heck yes!

Yesterday we caught the tail end of BKLYN DESIGNS 2010, which marked the beginning of New York design week!  Check out our favorites from the show, and stay tuned for some more in-depth posts about some of these pieces.

Trend Report: Piles of Chairs

I’ve started blogging for Metropolis magazine, y’all!  My first trend report was just published.  It is called: Piles of Chairs.

Those of you who went to Milan this year had a lot on your plates. You navigated the ever-expanding array of booths. You deduced which satellite events were skippable. You managed to get some interviews amid exhibitor-buyer talks that increasingly resembled Hungry Hungry Hippos. You even found your way back to the hotel, despite the trains shutting down before you finished your prosecco! And this was all before some volcano erupted!

With all of the distraction, you could be forgiven for overlooking a trend or two. Particularly this one. It’s the latest example of an obscure-but-intriguing furniture-design trope that I would hereby like to dub Piles of Chairs...

Metropolis is one of my favorite magazines and I’m delighted to contribute to their blog.  You can read the whole piece here.

Seein’ Dis: Columbia MFA Thesis Exhibition

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Thesis show!

Yesterday was the opening for the Columbia University MFA Thesis exhibition at the Fisher Landau Center for Art in Long Island City.  It was put together by über-curator Anthony Huberman and was totally worth the double subway ride.  Check out our favorites above, or see it for yourself (through May 23rd).

Fisher Landau Center for Art
3827 30th Street
Long Island City, NY

Seein’ Dis: Hunter MFA Open Studios!

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We had a good time.

We took a little jaunt to the Hunter College MFA program open studio event on Friday.  Their studio building is this enormous former-something near Times Square (there is, weirdly, an abandoned travel agency on the top floor? That kind of thing).  We put on our best skeptical-journalist faces and went around trying to balance our DSLR with our oversized Budweisers, and now we bring the results to you!  Enjoy.

Seein’ Dis: The Anxiety of Influence

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On the morning of Saturday, March 27 2010, the MoMA opened as usual.  Inside, Marina Abramovic sat facing a table and an empty chair.  As scheduled, she was ready to receive visitors as part of her marathon performance piece, “The Artist is Present.”

But this Saturday was different: the first visitor in line was a young woman who showed up dressed in a long dark blue dress, a black braid swept over one shoulder. As Abramovic’s doppleganger, she sat across from her and assumed a mirror pose. And there she sat, to the befuddlement of the museum staff and visitors, all day.

Frequently overhead in the crowd was the exclamation of disbelief, “She’s still here?!” There were some grumpy folks who waited for their turn in line before giving up, because no one could beat this marathon sitter. I checked twitter to see someone whine, “Really mad at this Marina Abromavic[sic] imposter whose[sic] taken over the exhibit at the MOMA. A plague upon both your houses!“*

It was mysterious. It was intriguing. It was hilarious. My initial thought was: what a better way to “kill your idol” than to beat her at her own game, but then I also wondered if it was a way to present affection to a long-admired artist and influence?

As it turns out, the doppleganger is Anya Liftig, a Brooklyn-based performance artist.  Her intervention on “The Artist is Present” was a performance of her own, which she has titled “The Anxiety of Influence” after the Harold Bloom book of the same title. Bloom’s main concern was how poets, driven to write by their admiration of their idols, could succeed in generating original work in spite of the pressure of influence. See what I’m saying?

I spoke to Anya about her anxieties of influence, her endurance level, and what it was like to come face-to-face with the so-called “grandmother of performance art.”  Read the interview after the jump.

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No, Puddles! NOOO! and other thoughts from the Kings County Biennial

peepee

So, last weekend I did that hilarious thing at a gallery opening.  You know, where first you confuse a piece trash for a sculpture, and then confuse an actual sculpture with a piece of trash.  Ha ha ha ha ho ohmyGOD contemporary art, I LOVE IT when you painfully confirm all those things my mom says about you.

Apparently I wasn’t the only one confused.  Moments later the crowd ceremoniously parted, giving me a perfect view of a little dog lifting its leg and pissing on the above sculpture. Not kidding.  I’m very, very sorry to say I don’t know whose piece it is, or what the title was– but gentle jury, please know that I tried to stop it.  Cue the slow-motion outreach and open-mouthed horror: “NOOOoooo…….!”

Wow.

But don’t take that one (doggy) critic’s opinion: Kidd Yellin’s “The Kings County Biennial” is an uneven but sprawling and fun show featuring some top-notch mid-career artists’ work, and it runs through Feb 28. A few pics after the jump.

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Olivier Zahm @ Half Gallery, NYC

So, Tuesday 12/1 was Olivier Zahm’s opening at Half Gallery @ 208 Forsythe.  In attendance:  yours truly, and a swarm of European fashion trend-stars.  The show features big, small, and naked printouts of the Purple Fashion magazine editor’s Diary.  Arriving early (during installation), I missed out on the concept of being fashionably late… but the crowd got considerably more fabulous as the night went on.  That, my friends, is what I really came for.

(and of course to knock off the photo stylings of the guest of honor.)

olivier

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Trend Report: Glop Art

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Winsor&Newton must be happy.

Those of you who are contemporary painting nerds might have noticed a trend: one all about squeezing, slathering, scooping and smearing on the paint in generous piles. Great big gloopity gloops that, okay, might remind you of heaps of paint-poo. It’s messy, it’s visceral, but also it’s sculptural and silly and gosh dangit most of the time I find myself loving it. Why? What can I say: I’m a sucker for paint acting like paint.

So, as part of No Smarties‘ burgeoning fine arts coverage (ahem), I am here to bring you a trend report on what swank art bloggeur Joanne Mattera recently dubbed “Glop Art.” Hold onto your aprons kids!

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RISD Exposé opening

RISD Expose opening

Last Friday was the opening of RISD Exposé, a pop-up store in downtown Providence that is dedicated toward current RISD students slinging their art and design work like there’s no tomorrow.  Here are a few standouts from the show.

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